Collaborate with me!

This history is your history, help me get it out there for people to remember and reflect on by leaving your comments and memories of spaces, people and events here. If you want to use a made-up name, feel free, so long as the memory isn't!

(That said, if you can't remember everything, that's fine. No one's memory is perfect, and hopefully someone else will fill in the blanks.)

Saturday, February 19, 2011

Closeted Geography

So here is a big post. It is the first draft of what i call the 'lens' of the thesis, which is to provide the focus and the theme of the whole thing. What I am arguing is that Ottawa's queer spaces were more closeted than open, and while this was certainly not ideal, it was a strategy that allowed for survival and resistance, albeit at a cost. This section is not grounded in history yet, meaning that i don't provide specific examples of places that I am referring to, and definitely not Ottawa spaces. That will come, certainly in time.

Right now i am throwing this out here to see what people think, do you like it, hate it, think I am full of it, or have something to work with? How would you cahnge it or finesse it? All your comments would be welcome.

Warning, it is kinda long (2000 words). Pour yourself a cup of tea.

Grant.

Ottawa’s Closeted Geography.

Initially, Ottawa Queer History intended to explain why Ottawa, despite its size and status as capital city, never developed a queer village. I wanted to explain how Ottawa as a city encouraged people to stay in the closet and not be open with their identities and sexualities. Ottawa, as national capital, was shaped to reflect the heterosexual, middle-class values of the majority of Canadians. Ottawa as a city-wide space emphasized these values in its public spaces, its demographics, its institutions and its dominant form of employment, the federal civil service. All of these elements helped to construct a discourse about the city as quiet, reserved, family orientated and generally conservative. The other side of that discourse was that Ottawa was not a place to go (or stay) if you were different; you would not fit into its homogenous culture. If you did live in Ottawa and you were queer, you would be living at the margins of the city, and life would be expressed through a closeted geography rather than an open, visible one.

All the statements above are problematic, for a number of reasons. While the dominate discourse regarding Ottawa widely constructs Ottawa as a conservative town, it tends towards essentializing the city as being without any sort of non-mainstream culture, which Ottawa certainly does have. It ignores the many instances of transgression that have occurred in Ottawa, despite the security apparatus that had Ottawa’s queers under surveillance and oppression during the Cold War. It also tends to construct binaries that, while useful when firist seeking to grasp large concepts, ultimately fall apart when used to explain spaces as complicated as cites, even ones that are understood to be less heterogeneous than Ottawa.

Using the term ‘closeted geography’ is problematic as well, for it suggests a negative, pessimistic construction of a queer community and its places. I think this is not so. Certainly, a closeted geography is not as demonstrative nor as immediately accessible as a more open geography of queer culture, but for Ottawa specifically, and for smaller cities and towns generally, it is more than a means of allowing queer community to merely survive; it can allow it to flourish. Part of the reason that closeted geographies and places can do so is that, despite the binary that it implies, most closeted places are never completely closeted. Like urban geography as a whole, queer geography rarely falls neatly into one column or another. Often queer on the inside and straight on the outside, or just queer to a point, these places, while flawed, opened up avenues for queer expression that were vital for the city’s queers and remarkable for even existing considering the climate of the past.

If anything is easy to define and essentialize, perhaps it is openly gay places, such as the gay bar in a gay village in a large, metropolitan city. Openly queer spaces have no ambiguity to them, they perform and present themselves as queer spaces. That performance is executed in several ways. Most openly queer places are in plain sight: they are street level and are part of the public streetscape. They have large windows that allow the public to see in and for patrons to look out (all the better for cruising). Open places advertise themselves to the public as queer: they often have signs over their establishments with suggestive names (The Manhole has always been a favourite of mine, followed by Woodies). Any advertisements in newspapers will make the queer focus of the club explicit, often with the use of models, and sexually suggestive imagery. The spaces themselves encourage expressions of attraction from their patrons, at least in establishments where that is appropriate.

An openly queer space will be homo-normative, as opposed to hetro-normative. A homo-normative establishment may have some straight clients, but the place is aimed at a queer clientele. This can mean several things. If the place is a community center, services would are aimed at addressing queer issues: discussion and support groups would be majority queer and would focus on queer topics. Bookstores would focus on providing queer authors and topics. Entertainment is aimed at the many, varied queer tastes. Another aspect would be that they are usually queer-owned, and have a commitment to the community that they serve. These places would not be queer on one night and then straight another, in order to maximize profits, these places are always queer, even if they attempt to draw different demographics from the community on different nights.

Homo-normative places are political, beyond the assertive, enabling performance that their existence have in a given urban space. These places stake out space in the city and start to queer the surrounding space. Often, when one openly queer place is established, the whole neighbourhood is reconsidered by a larger audience as a space with queer possibilities. If there is or was a queer presence there, it comes out of the closet and becomes part of the public discourse of the area. Open places serve as fronts for the community to assert its presence in a city, and often will serve as places for political organization as well, either through allowing activist groups meetings, or holding fundraisers. Open queer places, whether or not they are politicize actively resist and disrupt heteronormative space.

Closeted geographies are not so disruptive. They do not challenge the established hetro-orthodoxy of the area in which they exist.. Often, they are in locations that are out of plain site, or are in areas of cities that have few eyes present, expect for those seeking out queer spaces that they wish to experience. It is not uncommon to find queer spots in areas liminal spaces, such as those that have fallen into decline, or areas that while busy during one part of the day sit practically abandoned the other times. Examples of this temporally shifting areas are office parks and warehouse districts. Ottawa’s own downtown, virtually deserted at night, has s been exploited by many bars over the years, as has Hull, which was widely understood to be outside the boundaries of Anglo culture (and the Ottawa police). Bars and spaces that do exist in busier areas of town are often tucked away, on second floors, in basements, or on side streets, sometimes combinations of the three. Today, three of the four bars in Ottawa are not on ground level in an area that is busy at night. There are economic factors for this: the less expensive rents allowed owners to survive any economic hardships for longer. Out of the way sites made it easier to remain undetected offering patrons a place that was secure from the intrusions of mainstream society. Especially in the past, patrons preferred to go into places via entrances where the possibility of being seen by straights was at a minimum. Partly they feared having their sexuality discovered, the other part was the risk of being assaulted by homophobes.

Unlike open places, closed places more often restricted access, as another means to secure their spaces for their clientele, and to ensure their economic viability. Often in the past queer clubs were membership-only or one had to pass a visible inspection at the door to see if you ‘fit’ their establishment. Open places charged admission like closeted places, but it is done mostly for economic motivations. Memberships for places like bath houses served another purpose, in that they made the spaces part of a private club, and thus helping to protect from legal harassment for the acts occurring inside that, while consensual and harmless, where deemed immoral by mainstream society. This did not, however, prevent the state from attempting to regulate the behavior of those inside, such as the Ottawa Police’s raid of Club Ottawa baths in 1976.

While today queer places are fairly easy to find, thanks to the web, closeted places did not advertise their location, either by signs, or by local advertisements, unless they were in queer publications, if any city had such luck to have such a thing. Even then, there was no guarantee that a bar would advertise in them. GO Info, for example, had very scarce advertisements in it during the 1970’s and early 80’s, and few of those ads were for gay bars, establishments that could have (and considering the business they were in, should have) paid for ads. This resulted in bars being known only to the community and their friends, since the knowledge of their existence spread mostly through word of mouth.

Part of the reason that advertisements were so scarce at this time (at least in Ottawa) was that straight people who felt ambivilant or even hostile toward the queer community owned many of these places or at least the buildings where they were housed, especially bars. One reason for this was that many of the bars that were gay at the end of the 1960’s were not queer when they started, but became so. Another reason was the difficulty in acquiring a liquor license if you were a queer, or if the LCBO found out that you intended to open up a queer bar. Consequently, straight ownership affected queer place in many ways. These places, while still important to many queers, were contested sites: signs of queer affection were discouraged such as in the Lord Elgin Hotel; the establishments did not support the larger community via fundraising or community events and using spaces for political and social organizing was done clandestinely. Overall, while places were created or co-opted by queers, these closeted spaces were not overtly politicized and did not resist the regulation of space and behaviour along hetrosexual lines as did more openly queer places.

Many places that did serve the community and courted queers did so under a hetronormative guise. An example here in this city were the adult magazine shops of the ‘70’s and 80’s, examples of which were found in Ottawa along Dalhousie street. These were supposedly heterosexual spaces, sold straight sex magazines and videos to straight customers, thought often these sites had a gay section and backrooms that were often used for gay male sex.

Many places that were closeted used hetero-normalcy to create spaces for queers to meet. That was their appeal, despite the drawbacks they presented in location, quality and freedom of expression. Men who met men in parks used the fact that they were in a straight-identified space to their advantage: if found in a park at night by police, it was possible to proclaim your innocence (and your heterosexuality) by stating you were simply ‘out for a walk’, even if it was at an unlikely hour. This was not a sure means of escape, but it did provide men with a means to counter suspicions about their sexuality

Closeted geographies are not limited to physical place either. They favour mobility --of people, of space, of time ,of day-- allowing for socialization at different times by different people in straight-identified venues, thereby cloaking the common bond of the gathering, their sexuality. The events could be the community dances, sports teams and leagues, common-interest groups, business associations and house parties. Some of them were explicitly gay in name, but with a constantly moving venue, allowing them to offer security to their members, despite being in uncertain places. The fact that many of these clubs epitomized the concept of straight-looking and straight-acting helped their survival.

The long-term presence of these out-of-the-way, not-so-gay spaces will be the focus of this thesis. As wonderful and as important as gay villages are, I believe that closeted spaces are as important to queer life. It is these liminal, temporary and confusing spaces that have allowed generations of queers to have a sense of community. These places were often critiqued by their community and still are, but without them many people in Ottawa and similar communities would not have had the community they had, a community that ultimately achieved so much despite being in a city that was so hostile.

Wednesday, January 19, 2011

New year's wish list. (Alternative title: how historians geek out)

So I know this is late and to any of you who check this site regularly (ha! who am I kidding?), my apologies for not throwing some things up since x-mas. However, things are in the works to get posted, bare with me. Life is so much slower when you get a puppy over the break...

In the intern, here are a list of things I would love to happen in relation to this project. Some of the items are born out of frustration that I am hitting roadblocks with my thesis; some are wishful win-the-lottery moments; some are both; others are me being totally lazy and not wanting to get off my ass and organize things. Anyways, this is what is in the mind of the fellow getting into his thesis. Enjoy, and if you can help me cross anything off my list, the whiskey is on me.

That, I can get off my ass for.

1: Lesbians. Lots and lots of elderly, sharp-as-a-tack lesbians who were out on the town when Ottawa was barely past being a town. If not that, a woman who would like to work with me doing interviews, and I can use as a liaison/bait for the lesbian/bi community.

2: An underpaid student or retired person with really fast hands, so I can pay them to transcribe interviews. You'd get paid minimum wage (under the table); be provided with a hard drive full of interviews and make at least 1000.00$ doing so. Added incentives would be the possbility to use any of the interviews you transcribe in work of your own, and a HUGE thank you in my published thesis (okay, they are not great incentives, but hey, the loss of a thousand bucks is killing me as it is).

3: A night out with a gaggle of 20 somethings. I want to pick their brains about what it is like to be gay today, where they go out and meet people in the gay community and what they know about gay history. Why? Because I what a modern-day baseline for queer life in Ottawa, and being a 30-something grad student who lives in Westboro, means I don't know squat about that anymore. I do know one thing to say that I hope will help me with this one: I'll buy the beer.

4: A website. First off, all due respect to blogger. It helped a relatively inept computer user get a presence on the web fast and with a minimum amount of things thrown. However, I need a place where I can upload larger files, Especially video. Right now I can only show 2 minute video segments, and that is just to short to show anything interesting. I also want a place where people can upload documents, articles, pictures, maps,scans, etc. onto the site as well, not just to share with me, but with anyone else interested in this topic (am have a mental picture of a history commons). the final thing I'd like to do is make an interactive map where people can put a dot on any particular place and explain why this is an old queer space. As well it would be cool to have others add onto previous comments a build a true community narrative about spaces in the Ottawa/Gatineau area. Anyone out there a computer wiz?

5: Pictures and paraphernalia. Everyone likes pictures, and so do I, especially if they are of places that no longer exist, likes bars, clubs, or events that lasted only a little time. There is no need to give them away, for I have a scanner. I'll need to borrow then for a few days, but will return them AND give you digital copies as well! What a deal! As for paraphernalia, anything that you would give me would go straight to the new Carleton sexualities archives, where they would remain accessible to the general public. I would just take photos.

6: Graduate by 2012, so I don't have to whine/grovel/geek out like this again.

Hope you all had a nice holiday.

Thursday, December 23, 2010

Thursday, December 16, 2010

1000!

I don't know if this breaks blog decorum, but OQH just went past 100 hits, way more than I ever expected to get! So to the hundred or so folks that have looked at this site 10 times (at least that's what I figure), thanks.

Grant.

Saturday, December 11, 2010

Sketchy bars


Last week, I was interviewing Charles. He was talking about the Lord Elgin, what it was like there, to drink and to try and court someone there. Fascinating stuff. At one point he was describing the layout of the lower level bar (the name of which I now know but have forgotten, but at least I have it recorded!) and I thought I'd try out something I've read about people doing, but hadn't done yet; I asked Charles if he could draw the space for me. This is what I got:


I may not seem like much, and the top part of it did not scan (which shows that Elgin street ran along the top of the page), but It was great to be able to visualize the layout of the tables, the two swinging doors to the top of the picture, and the small door to the right of the room where the waiters came out of with drinks (there was no bar in the room). At the bottom of the drawing is the jukebox: it's the square marked with the X. The four squares in the picture are pillars, which apparently made sight lines difficult and selecting your table to look at the people coming in, or the person you found really hot, crucial. According to Charles, one did a circuit around the bar before you picked a table; luckily the layout allowed for this.
So now I can conceptualize the space a lot better, which is the strength of asking folks to do these. Although the map is not great, and does not hint at it's size or atmosphere, I have something, and with a lack of photos at this point, it is better than nothing. I email Charles afterwards to ask him about the color or the walls, ceiling height, etc.. and this is what he replied (thanks Charles):

"If my memory is correct, the walls were beige and there was dark wood railings and cross pieces (in the form of a large horizantal 'X' in the wainscotting part (i.e. lower third of the wall). The place was lit with 'ranch style' chandeliers with, along with the woodwork gave it a definite western feeling. I think the floor was carpeted in brown low cut (industrial style) carpeting but I'm not 100% sure on that..."

Underneath is another quick sketch, this of a bar in Hull called Sacks (sic?) that was one of the earliest and best disco bars of its time - late 70's- if I recall Charles interview correctly. I have to look it up. The circle was the stainless-steel dance floor, while the rectangle is the bar that had a few stools next to it. Apparently in the basement (again) and it was small, so small that it didn't have tables, and no divisions between dancefloor and the rest of the bar. Charles recalls this as a good thing, since the place was so small, people would end up dancing all over the place, not just on the steel. Compared to the formalized space of the L.E. I can see why this place was so busy!
Naturally I don't know how solid Charles memory is, but it's all I have so far. Does anyone see anything wrong with these sketches?

Thursday, December 2, 2010

OQH and Archives Carleton: A home for your queer stuff.

One of the goals of my master’s thesis On Ottawa’s Queer History is to find a place that would be able to store and preserve the writings and interviews that my thesis will generate and the historic materials that I hopefully will encounter as I meet and talk to members of Ottawa’s queer community. Some of the individuals I have chatted with have made their preferences clear, that they would rather have their documents and materials kept in Ottawa than shipped to the archives in Toronto or elsewhere. On top of that, I hoped to find a place that would make the materials as accessible to the community as possible, and not keep them stored in a dusty vault, away from the people who created them.

Last month, I exchanged emails with Patti Harper and Lloyd Keane, who run Carleton University’s Archives and Research Center (ARC), located in MacOdrum Library. They were referred to me by my supervisor, Patrizia Gentile, as a possible institution that would be a match for these demands of security, accessibility and community interaction. I am happy to say it seems like I have a winner!

I sat down with Lloyd one afternoon to see what ARC could offer. I was pretty happy with what I heard. ARC wants to start an Ottawa queer archive and see an Ottawa queer archive as a research collection open to both academics and the larger Ottawa community to use. Lloyd stressed that ARC wants to collaborate with the local community and with other GLBTQ archives and centers to promote the archive. An example of this philosophy is that digital records could be referenced and shared with the Canadian Lesbian and Gay Archives in Toronto, or Western university’s GLBT centre. Another example of outreach would be the staging of exhibits and events based on the materials collected to which the queer community would be encouraged not only to attend, but to participate in as well. That said, Lloyd stressed to me that ARC is an archive, so while ARC ensures 100% reference accessibility, books and material cannot be loaned out like in a library. Furthermore, once material is donated, it becomes property of the archives so they can do what they can to preserve the materials.

ARC has a lot to offer in terms of support, especially for larger or more fragile collections. Staff can help you process materials before pick up, and can come and collect whatever boxes you have. Once they do, the materials will be reboxed into archives-quality containers. Then over a short amount of time (depending on the size of the collection, but quicker than a larger archive) each item entered into an online database. Materials that are fragile will be protected and/or digitized.

Finally, what sealed it for me is that as part of the university library system, ARC has access to plenty of space, and has steady funding not only for archiving, but for adding rare books on queer history and theory to their collection supplementing the donated data.

If you have any questions or would like to reach ARC in person please contact me through my email (gburke@connect.carleton.ca) or contact:

Patti Harper, Department Head, Archives and Research Collections

Or

Lloyd Keane, Ph.D., Archives and Rare Book Coordinator, at:

Archives and Research Collections

MacOdrum Library

Room 503

Carleton University

1125 Colonel By Drive

Ottawa ON K1S 5B6

http://arc.library.carleton.ca/

Tel: 613-520-2600 x 2739

Fax: 613-520-5600

Thanks for reading, and please donate!

Grant Burke, researcher, Ottawa Queer History.